John Haughm (Vocals, Guitar [since 1995], John Haughm, ex-A Den Of Wolves, ex-Landfill, ex-Lotus 78, ex-Nothing, ex-Pessimyst, ex-Sculptured, ex-Uncomposing), Jason William Walton (Bass [1995-2016], Celestiial, Self Spiller, Especially Likely Sloth, Nothing, Sculptured, ex-Cold Colours, ex-Subterranean Masquerade, ex-Susurrus Inanis), Chris Greene (Drums [2004-2007], The Waking Cold), Don Anderson (Guitar, Back Vocals, Keyboard [1995-2016], Sculptured, Self Spiller, ex-Landfill, ex-Necropolis, ex-Nothing), Shane Breyer (Keyboard [1995-2001], ex-Susurrus Inanis), Aesop Dekker (Drums [2007-2016], Worm Ouroboros, Vhöl, ex-Ludicra, ex-The Fuckboyz)

For twenty years the Pacific Northwest group Agalloch has defined what it means to combine influences from a variety of musical genres into one brooding, colossal, and cinematic sound that provides the soundtrack to existential themes concerning man, nature, loss, and death. After two demo releases in the late 90s the band released three full-length albums: “Pale Folklore” (1999), “The Mantle” (2002), and “Ashes Against the Grain” (2006).

“The Mantle” has since been heralded as a classic for having been one of the first albums to combine elements from black metal, neo-folk, progressive rock, post-rock, and ambient music. The influence of this record can be heard in many so-called “post-black metal” bands today. In 2008 Agalloch began re-releasing their demos, B-sides, and EPs under their own Dammerung Arthouse label.

In 2010 their fourth album “Marrow of the Spirit” made number one on numerous critic’s top ten lists. In between each of these full-lengths the band pushed on the flexible boundaries they had developed around themselves through a series of EPs that found the band experimenting with post-rock/instrumental rock (“The Grey,” 2004), neo-folk/psychedelic folk (“The White,” 2008) and a mammoth twenty-minute epic work entitled “Faustian Echoes” (2012) released through Dammerung Arts.

Their fifth and newest full-length album “The Serpent & The Sphere” (2014) continues to earn praise for solidifying the now identifiable sound of the band. Agalloch has earned a reputation for explosive and emotional live performances. They have sold out tours across Europe and the US and have played a variety of major international festivals including: Roadburn, Inferno, Ragnarok, Tomahawk, Noctis, Asymmetry Fest, Maryland Deathfest, Scion Fest and others.

The band takes special care constructing the environment of each and every show with wood, incense, and imagery taken directly from their home in the Northwest. Such care makes an Agalloch show more than just a typical metal concert. In May 2016, founding member John Haughm parted ways with Don, Aesop and Jason and permanently put the band to rest..

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