Ancient Winter - Leah

Winter is coming

In relation to The Quest is the Ancient Winter a stronger album. I never thought that I would have to say it, but Leah has taken a good decision, a necessary decision to peel metalinstrumenteringen away. Where the vocals felt smooth on The Quest, it has now got the absolute leadership role – a role, which clothes Leahs considerable knowledge excellent. The instrumentation is equally expanded, and Leah viewer a great talent for tying the compositions together and to select its partners with care.

Higher standards

In the symphonic metal comes the "symphonic" element, as a rule, of the instrument. It is simply more convenient. In folkeinspireret metal comes the "folk" element is also often from one or two instruments, one does not typically find in metal. Leah McHenry was thinking a little more on the Ancient Winter. A plethora of instruments from near and far, symphonic as well as popular, is summoned to breathe, swipe, knock, and strum the magic in the enterprise. And enterprise, with Leah in the lead, is truly magical.

Less metal, more magic

In retrospect, much of my criticism of the last years of The Quest is tracked for the songs consistently should be built on a metallic foundation. To Ancient Winter remove all metal from the term is thus not just the natural conclusion of canadierens recent developments; it is also the right artistic decision to take. The improvement is, of course, subject to Leahs abilities both as a singer and as a composer, but that skill leaves as good as nothing to wish for. The opener "The Whole World Summons" is a true experience. As it unfolds from the delicate first verse to a magnificent epic kontraststykke, viewer the a rarely heard dynamics, which more than anything else defines the Ancient Winter. "Upon Your Destiny" is a masterful vokalpræstation; there is no abrupt change in instrumentation between the first verse and chorus, but Leah increases the intensity dramatically just with his voice. Where the vocals before were forced to follow the combination of backbeat and the power chord, it is now free to lead the music.

Purely musical is the album extensive and possesses a scenic and adventurous atmosphere. The songs are of course built up around Leahs vocals, while the solos and melodic themes, most often played by the flute and violin. The structures are not complex or progressive as such; instead, insists Leah interest in developing the instrumentation and the power of music. Both the "Light of this World" and the aforementioned "Upon Your Destiny" winner on the dynamics, while the medieval-sounding folk song "Puer Natus" is that folk songs are the most: catchy, simple and short.

I have no idea how many people who have contributed to the Ancient Winter, but Leahs crowdfunding campaign has borne some serious fruit. Troy Donockley is again to be found in persongalleriet, where he will be joined by both Anna Murphy (hurdy-gurdy), and Shir-Ran Yinon (violin) from Eluveitie and Oliver Philipps and Rupert Gillett on, respectively, piano and cello (I think). All of the above could Leah have done with a keyboard, but real artists with real instruments gives a real music experience, and this makes a real difference to the experience of the Ancient Winter. The album enjoys, moreover, a more spacious master (thanks to Tom Mueller) than The Quest, which helps each instrument to stand out clear and sonorous. The cello, for example, sounds warm and organic, and Gilletts stroking takes and fades out in an emotive way, you can't synthesize.

>> Check the songs and lyrics here