Imminent Violent Death - Entrapment
- Release date:
- May 11, 2019
Competent violent death
Entrapment plays the highly competent Swedish death metal of the Stockholm school, and any fan of the genre should do themselves a favor and listen to Imminent Violent Death. Personally, I miss that kingpin seems some of the songs be characterized by anything other than the most savende riffs. Since the constant is the fast tremolo riffs that gives the songs their identity, there are many, reminiscent of each other, which could have been avoided. The writing fails, however, is not other than it, and the Imminent Violent Death is a very appropriate obituary for a Swedish-inspired metal band from stockholm.
The recent violent death
Enough is this review late, but that it even had to be posthumous, I had, after all, not expected. Entrapment is (or was) a énmands-metal band from stockholm belonging to the dutchman Michel Jonker, and he has apparently chosen to let his fourth fuldlængdealbum, Imminent Violent Death, to be the band's obituary. I recognise that it is the first time I hear about the group, and if you are in the same boat as I, so I can initially report that Jonker seems to have been on exchange in Stockholm. Of Imminent Violent Death and to cultivate the Swedish death metal scene without any qualms.
Left Hand Death
There are very, very many bands who grow Stockholmscenens special shade of death and destruction, and not all are of equal abilities. Fortunately, Jonker is one of the better, and the opening and title track demonstrates this with the classical kædesavsriffing and a morbidly and melodic touch in the chorus. Jonker masters a vanvidsramt, mercilessly midrange growl, and the daredevil fast and punk drum rhythms, he has also completely mastered. The followup turns out to return to be disappointing; just a little under two minutes long doomy interlude, which takes the momentum from the album. Momentum has Jonker, however, plenty of, and "Sanctifying Putrescent" gathers outside further up where the opener left off. The Tremolo riffingen is inexorable and lets go only reluctantly gripped, since the center section will briefly slow down the pace. If Stockholmscenens characteristic tremolo-riffing and breakneck punkbeats is your ballgame, then that is Entrapment a sure winner.
But Stockholmscenen accommodates more than the tremolo riffs and kängspunk – tag f.ex. "Supposed to Rot" or "Bitter Loss" – and this forget Entrapment along the way. Entombed was almost just as happy to play groovede riffs in mid-pace (for their standards), and these pieces were to make the Left Hand Path to a masterpiece. "Malicious Predominance" bills of exchange initially between two chords in a midttempo-piece, which could have been extended to an excellent Stockholm-groove, but the opportunity missed. Instead comes a longer piece with the ominous clean guitar-picking and, in conclusion, højtempo tremolo riffing (again). "Sacrilegious Congregation" begins with a stemningsskabende sample followed by ditto struck chords and leads, and again select the highest pace to replace. The center section considers briefly some of the right midttempo groove above until the song is brought to a close, as it began. Imminent Violent Death disappears a bit in a storm of d-beats, where I instead would have liked the thumping and groovede pieces – and the accompanying change of tempo – upgraded to more than an afterthought.
>> Check the songs and lyrics here